摘要
"样板戏"虽然是在中国当代文学史上产生过重大社会影响的文学事实,其发生起点却可以追溯到延安戏剧改革运动。在对"样板戏"这一文学事实实行历史分期的问题上,存在文本关系与跨文本关系两种角度的差异。从跨文本角度对"样板戏"进行分期,"样板戏"的历史演变可分为萌发期(1942年-1958年)、争持期(1959年-1963年)、定名期(1964年-1967年)与定本期(1968年-1976年)四个阶段。
"Model Opera" is a literary fact which produces significant social influence in the history of contemporary Chinese litera- ture, but its starting point can be traced back to Yah' an drama reform movement. There is the difference of two angles between the text relationship and the cross text relationship in the perlodlzation of the history of "Modal Opera". Based on the angle of cross text in peri- odization of historys the historical evolution of "Model Opera" can be divided into four stages that refer to the germination (1942 - 1958), the contention( 1959 - 1963), the name ( 1964 - 1967 ) and the final version ( 1968 - 1976).
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2013年第6期121-125,共5页
Journal of Xiangtan University:Philosophy And Social Sciences
关键词
文学史
文学事实
样板戏
历史分期
history of literature
literary fact
Model Opera
periodization of history