二胡移植小提琴作品现象分析——以《查尔达斯》为例

Analysis on Erhu performance for Violin Works: Taking Czardaz for Instance

二胡移植小提琴作品的热潮,对二胡艺术产生了巨大而深远的影响,也引发学术界和社会评论家对这种移植的许多争议。以《查尔达斯》作品为例,应用理论分析、谱例分析、美学、心理学等学科的综合研究方法,对移植小提琴作品的现状、演奏技巧等方面进行剖析,从而帮助演奏者更准确、更完美地把握移植作品的内涵意义。艺术需要相互取长补短,对于二胡演奏小提琴作品应从发展的眼光去看待,引导二胡艺术更好、更广阔的发展。中国民族乐器演奏西方器乐移植作品,不是抛弃民族文化特色之举,而是在世界文化多元化的进程中,对中国文化艺术特色的推介和保护。

This upsurge places massive and profounded impact on Erhu art and meanwhile, stimulates the arguments about this transplantation among academia and social critics. In order to help players to grasp the connotation of transplanted works, with the work of ＂Czardas＂, this paper analyses the status quo and playing techniques of transplanted violin works, adopting comprehensive research methods as theoretical analysis, spectrum analysis, and the angles of aesthetics and psychology, etc. The further development of Erhu art should conform to the principles of learning from each other and outlook of development. Transplanted western instruments works performance with Chinese traditional instruments should not be considered as abandonment of traditional culture specialties, but as promotion and protection of specialties of Chinese culture and art in the process of diversification of world culture.