摘要
讨论民族服饰在现代旅游场域中功能的"增量"与"减量"。研究发现,"增量"主要表现在资源化、符号化、媒介化、商品化、工具化、舞台化六个方面,"减量"主要表现为去魅化、去内涵化、去情感化、去个性化四个方面。文章提出,旅游中文化变迁的实质是在新的发展语境下,民族文化持续不断的再生产的过程。变迁的结果既源于目的地与旅游外来影响因素之间的相互博弈,更是东道主在旅游场域中,对自身文化进行某种适应性调整或策略性应用的结果,改变的发生源于双方的"合谋"。
This Paper take Miao costumes for example, discuss the nat ional dress in tourism function of the "incremental", manifested in resource, symbolic, media, commercialization, instrumentalization, the stage of the six areas, and functions of the "reduction", that deenchanted, de-connotation, de-emotionalization, depersonalization four aspects. And claim that the cultural change in tourism not only is outcome of the game between destination and tourism external factors, also was the the results of culture adaptation of host of their own, changes occurring source on both sides of the "conspiracy."
出处
《贵州民族研究》
CSSCI
北大核心
2013年第6期69-72,共4页
Guizhou Ethnic Studies
基金
教育部课题"现代性体验下少数民族传统乡村妇女的家庭生活变迁"(批准号:13YJC850006)
中南民族大学中央高校基本科研业务费专项资"民族地区乡村旅游中的社区参与与社区发展--以黔东南苗族侗族村寨为例"(编号:CSQ12001)阶段性成果
关键词
旅游
文化变迁
苗族服饰研究
tourism, cultural change, Miao costumes Research