摘要
恋爱中的本雅明的文本化有生活与思想之间的复杂纠缠,更有本雅明的自我投射渗透其间。因而,有身体的本雅明并非"本雅明工业"的肉体化狂欢,无身体的本雅明亦非其思想灵韵的女性隐喻。本雅明的阿斯娅毋宁说是一个内在本雅明的源头,一个指向现代性批判的哲学思考。在总体物化、漫溢"伪经验"的时代,个体的真实经验被本雅明视为超越并拯救的最后希望,在感性的《莫斯科日记》根基处是一以贯之的具体而微的"经验的哲学"追求。
Benjamin＇ s Moscow Diary records the complex relationship between the life and the thought, and it also penetrated with his self - projection. Neither is Benjamin in love a symbol of the ＂Benjamin industry＂ carnival, nor is the bodiless Benjamin a feminist metaphor for the aura of his thoughts. Asja Lacis, the protagonist in Moscow Diary, represents one immanent origin of philosophical critique of modernity in the era of overflowing total alienation and pseudo - experience. Individual＇ s authentic experience has been viewed by Benjamin as the last resort to transcendence and redemption of modernity, and underlying Moscow Diary is Benjamin＇ s philosophy of experience.
出处
《文艺理论研究》
CSSCI
北大核心
2013年第6期157-163,共7页
Theoretical Studies in Literature and Art
基金
教育部人文社会科学研究青年基金项目[12YJC751071]
北京市教育委员会人文社会科学研究计划面上项目[SM201210028001]阶段性成果
