摘要
人类存在的真相是现代艺术孜孜探求的主题。作为现代电影艺术的代表人物,瑞典导演英格玛·伯格曼深入绝望之境、危险地带,以影像的方式揭开语言的一切伪装,暴露出人类真实的生存状况,展示了"由白痴讲述,熙攘而疯狂"的生存篇章。《假面》、《秋天奏鸣曲》、《傀儡生命》等作为伯格曼各个时期的代表性作品,以"恶之花"的形式绽放,表明了这位电影导演这样的艺术诉求:揭开语言伪饰的生命假面,穿越"性"在权力要挟下言说的疯狂幻象,让汹涌在那貌似欢快的奏鸣曲下的骨肉相残的惊涛骇浪直抵人心。
Human existence is one essential theme in the modern art. As a representative of the modern film art, Swedish film di- rector Ingmar Bergman probed into the depth of despair and danger, exposing, through cinematic means, all the disguises of lan- guage, revealing the true circumstances of human existence. Bergman' s representative works of different periods such as Persona, Autumn Sonata and The Life of Puppets reflected his artistic aspiration, which may be summarized as to unravel the pompous disguise of language, pierce through the frantic illusions of sexuality under the duress of power, and reveal the raging violence underlying close human ties.
出处
《文艺理论研究》
CSSCI
北大核心
2013年第6期194-202,共9页
Theoretical Studies in Literature and Art