摘要
红塔寺石窟作为甘肃省明清时期的一个代表性石窟,对于了解丝绸之路上的佛教石窟艺术的发展变化、藏传佛教艺术与汉传佛教艺术的关系以及与此相关的多民族、多宗教之间的关系,都具有非常重要的研究价值。本文试从宗教学、心理学、美学以及社会学等角度对红塔寺石窟的艺术特点进行探讨。
As a representative cave temple of the Ming and Qing dynasties in Gansu Province, the Hongtasi Grottoes are important for understanding the development of Buddhist cave art along the Silk Road and for studying the relationship between Tibetan Buddhist Art and Han-Chinese Buddhist Art as well as the relationship between the relevant peoples and religions. This paper attempts to discuss the artistic characteristics from the different viewpoints of religious studies, psychology, sociology, and aesthetics
出处
《敦煌研究》
CSSCI
北大核心
2013年第6期32-39,139-140,共8页
Dunhuang Research
关键词
红塔寺石窟
明清时期
藏传佛教
艺术特点
Hongtasi Grottoes
Ming and Qing dynasties
Tibetan Buddhism
Artistic characteristics