文学创作语境中的“君臣关系”

Monarch-Subject Relationship in the Context of Literary Works

在中国封建社会专制政体中,君臣关系一直是引人注目且难以理清的问题,历代学者志士不遗余力地致力于封建社会君臣关系的解析和重构,历代文学创作形式也多样化地反映着封建社会君臣关系的样式。君明臣贤是一种比较理想化的君臣遇合,尤其在文学创作中,历代文人学者都大幅度地解读和重构着夹杂了特定历史背景和深厚感情的君臣关系,明君贤臣的思想和言行都具有深刻的审美意蕴,这一点在文学创作语境中体现得尤为突出,这也是《三国演义》君臣关系体现得较为突出和重要的地方。

The relationship between the monarch and his subjects is noticeably difficult to understand in the feudal monarchy system in China. This situation was shown in the literary works in different dynasties. Many scholars have spared no effort in interpre- ting and reconstructing the monarch - subject relationship. The idealized relationship was that a wise monarch had many wise sub- jects. This is especially expressed in literary creation such as Romance of Three Kingdoms.