《当代诗坛点将录》述评

A Review of Records of the Contemporary Poets

当代诗坛人才辈出,作品多,时间跨度较长,地域分布十分广泛。冯永军《当代诗坛点将录》综论当代诗坛形势,依照传统演义的方式,排分诗坛座次,议论高下,以诗论诗,相对公允,知人论世,间见会心,基本上可以认同。但其点将和排位,仅以大陆甚至上海诗坛为中心,未能放眼世界,过于狭隘;且采用褒贬互见的态度对号入座,除招揽名流入座之外,甚至连表现欠佳带有恶评的诗人也可以占一席位,结果留下了称号不太好的26个空位,难以安排适当的诗人入座,悬而未决,颇有遗憾。

In contemporary poetry, poets of falent have come forth in large numbers, with a profusion of works, over a long time span and from different areas in the country. Records of the Contemporary Poets by Feng Yong-jun comprehensively analyzes the current situations of poetry circle, and fairly classifies and ranks poets based on traditional practice, which can be basically approved. But in terms of its assignment and ranking, it is limited to Chinese mainland centered on Shanghai, failing to look in a global context. It is rather narrow-mind- ed as it takes an attitude of ranking the poets based on a cross reference of both the appraisal and criticism. Be- sides, his records include some poets who are harshly commented, but exclude about 26 poets who should not have been kept vacant.