唐末辞赋创作的转向与赋学思想论

Fu Writing in Late Tang Dynasty:Change and Ideology

唐末是中国赋学发展史上的一个较为重要的历史时期,各体辞赋创作纷纷出现转向,骚体赋在言情之外,融入议论说理的成分;骈体赋脱离了唐初以来的俪美和骈对习气,亦以议论、说理入赋;律体赋脱离科举,转向咏古和对情志的抒发,文体赋开始出现。在赋学思想上,表现出辞采派和讽谏派的交互,同时也有重情和重古的观点出现,对屈原、宋玉和扬雄的看法也有不同程度的转变。

The late Tang dynasty is an important period in the history of Fu study when changes appear in Fu writing of each type. Content of comments and reasoning was merged into Sao style Fu besides the emotions. Rhythmical prose style Fu was also added with comment and reasoning, divorcing from the beauty and paralleling style in the early Tang dynasty. Symmetrical style Fu was not the content for imperial examination and used to chant the past and express the emotions, thus creating the verse Fu. In Fu ideology, ideas of valuing feelings and empha- sizing the past appear, while schools of euphuism and satire exist together. The view to Qu Yuan, Song Yu and Yang Xiong had changed to some extent.