论庄子“三言”文体创作对道家无玄思想的释义

Zhuangzi's Sanyan Discourse Strategy and His Interpretation of Taoist Ideas of “Wu” and “Xuan”

《庄子》蕴含着丰富的道家思想,书中"三言"文体就是庄子阐发其道家思想的体现。庄子不仅通过"三言"创作实现对"无玄"思想的精妙诠释,而且在接受美学层面,庄子同样发挥了"无"与"玄"在读者"三言"认知中的作用,进而从"创作到接受"中形成一个周和圆满的"无玄"思想释义体系。这种体系所呈现出来的思维特点,使得庄子"三言"创作带有强烈的道家哲学思辨色彩,并最终使庄子完成了在文学表现和言说维度中与老子无玄思想的对接。

Full of rich Taoist thoughts, Zhuangzi manifests its author＇s unique elaboration of Taoism through his sanyan discourse strategy （ literally three way of speaking）. Through this strategy, Zhuan- gzi does not only give an insightful interpretation of Taoist ideas of ＂wu＂ and ＂xuan＂ （literally empti- ness and mystery）, but also facilitates readers＇ understanding of key Taoist ideas from the perspective of receptive aesthetics, thus creating an interpretive system of Taoist ideas of wu and xuan in the com- plete process from the creation to the reception of the Taoist canon. The thoughts manifested by such a system enables Zhuangzi＇s creation characterized by his sanyan discourse strategy to be rich in philo- sophical meditations, thus making Zhuangzi right in line with Laozi in terms of literary form as well discourse strategy.