中国古典诗学概念的“语境化思考”——以“诗史”及“诗中有画”的争议为例

“Contextual Thinking”for Concepts of Chinese Classical Poetics——The Analysis of“Poetic History”and“Painting being in Poems”

"诗史"概念,原本于对杜甫部分诗歌创作的称誉,迄今依然为人所乐道,而杨慎、王夫之等则抨击这个称誉;"诗中有画"的说法,原本于苏轼对王维诗画的欣赏点评,也被后来者广泛引用,但自古及今,质疑批评它的人也很多。论文剖析此两个争议案例以便显示,批评者的论说虽"有理",但陷入一定程度的"片面的概念思考"的误区,支持者的话语看似"无理",但也有其语境支持的某种合理性。

The concept of ＂Poetic history＂ was firstly used for praising Du Fu to his some poetry creation, and it is so far still known today. While Yangshen and Wang Fuzhi gradually attacked this concept; ＂Painting being in Poems＂, which was originally used in Su Shi ＇ appreciation of Wang Wei＇ works, and it is widely ci- ted by the successors. However, from ancient times till now, the concept has received many criticisms. Paper analyzes the two disputed case so that we can say： those critics seem to be justified but they are not consciously into ＂one - sided thinking＂, and those supporters seem to be ＂unreasonable＂ but they are actually supported by contextual condition.