摘要
作为"浪漫主义旗手"的司汤达在《拉辛与莎士比亚》中集中阐述了他的美学观。即他的现实主义创作原则。他强调莎士比亚戏剧在美学上不同于古典主义戏剧之处和取得的美学成就,就在于莎剧中成功地运用了戏剧行动并使观众获得了完美假象。
As a"romantic bearer", Stendhalinterpreted his aesthetics his creative principle of realism in the Racine and Shakespeare. He stressed that where Shakespeare's drama is aesthetically different from classical drama and his aesthetic achievement lies in the successful use of the Shakespearean drama action and in the perfect illusionthe audience received.
出处
《江南大学学报(人文社会科学版)》
2013年第6期94-98,共5页
Journal of Jiangnan University:Humanities & Social Sciences Edition
基金
国家社科基金重点项目<"世界文学史新建构"的中国化阐释>(12AZD090)
教育部人文社会科学研究规划基金项目<世界文学重构与中国话语创建>(12YJA751011)