摘要
李一清乡土小说运用现实主义的创作手法,呈现西南巴蜀地区的乡土景色与风土人情,展现农村底层人民在现代化进程中的生活世界。最核心的是李一清始终专注于现代与传统的较量,刻画现代人处于一种传统文明被现代文明取代的焦虑中,揭示出人类所处的困境,镌刻人类在此种困境中的反抗与挣扎,这种反抗精神本身就蕴含深刻的悲剧意识。以他的《山杠爷》、《农民》以及《木铎》三部长篇小说为主,从悲剧人物的形象塑造、悲剧人物的悲剧指向以及悲剧意识的意义三方面对其作品进行分析。
LI Yiqing's novels present the southwest Bashu area rural scenery by the realistic writing method , and show the bottom people's life in the process of modernization. The core is that LI Yiqing has always focused on the contest between modem and traditional, has depicted the modern man's anxiety in traditional civilization which is replaced by modem civilization, has re- vealed the dilemma of human being, and has engraved human's revolt and struggh in such a predicament. This rebellious spirit itself contains the profound sense of '~ragedy. Three aspects of his S/tan C, angye, Farmer and A Teacher are analyzed from the tragic character image, the tragic character's sense of orientation and tragic
出处
《重庆交通大学学报(社会科学版)》
2013年第6期60-62,共3页
Journal of Chongqing Jiaotong University:Social Sciences Edition
关键词
悲剧意识
悲剧指向
悲剧人物
tragic
tragic character's sense of orientation
tragic character