从江淹《杂体诗三十首》对原作的因革看南朝诗学观念的变迁

Inheritance and Innovation of the Imitated Poems and Literary Concept of Jiang Yan's the Thirty Miscellaneous Poems

江淹《杂体诗三十首》是汉魏六朝拟诗的杰出代表,江淹在模拟的同时从"意象"、"句法"、"诗歌体式"、"声律"等角度对原有诗作进行多方面的因革和创新,从而实现了诗体由"复"而"变"。这些创新性因素同时体现了南朝文学观念和诗学思潮的变迁,成为文人引领文风变革的有效手段,也预示了文学变革时期的到来。

It is generally acknowledged that the Thirty Miscellaneous Poems as outstanding works in Han Wei and Six Dy- nasty Periods. The Thirty Miscellaneous Poems has not been imitating other people＇s works, and Jiang Yan viewed these poems as a method of creative writing in image, syntax and rhythm. These creativities can play an important role in the study of literary his- tory and reveal the arrival of the era of literary revolution.