从弗兰肯斯坦到赛博格后现代理论视域下“人”的形象的瓦解与建构

From frankenstein to bergerPostmodern theory horizon,the disintegration and construction of the image of "people"

弗兰肯斯坦与赛博格所代表的"人"的形象分别在资本主义早期与晚期被提出。弗兰肯斯坦给人类警示:如果放纵利用知识征服世界的欲望,人只会走上主体被瓦解灭亡的道路。"赛博格宣言"则宣扬一个主体性被消融,人与动物、生物、机械以及非物质的界限被超越的"人"的形象。在后现代社会多元文化语境中,本文将以玛丽·雪莱的《弗兰肯斯坦》与堂娜·哈拉维的"赛博格神话"为否定性与肯定性后现代话语的例证,分析"人"的形象的瓦解与建构。

Frankenstein and the game＇s respectively represent the image of ＂people＂ in the early and late capitalism. Frankenstein warning to mankind： if the license to use knowledge desire to conquer the world, people will only to the main body is broken down the path of destruction. ＂Sai＇s declaration＂ is a subjectivity is melting, people and animals, biological, mechanical, and the nonphysical is beyond the limits of the image of ＂ people＂. In the multicultural context of modem society, this article will take Mary Shelley＇s frankenstein and Donna · o hara d ＂＇s myth ＂is negative and positive examples of post - modem discourse, and the analysis of the collapse and construction of the image of＂ people ＂.