摘要
本文从中国音乐的线性结构分析出发,分别从线性结构的改变、简、繁化旋律、同宗民歌、突破调性组织的线条流动、"东学西渐"与中西合璧几方面进行论证,简述了中国音乐中具有本国特点的一些变化、发展旋律技法。并在此基础上,提出了中西发展结构差异的原因,及东西方互溶互通的历史必然走向。
On linear structural analysis of Chinese music, and respectively from the change of linear structure, simplified and complexified melody, congeneric folk song, line flow of breakthrough tonal organization, "progressive extending of eastern learning to the west" and sino - western combination aspects, this paper briefly describes some changes of its own characteristics and techniques of melody development in Chinese music. And on this basis, it puts forward the reason of the structural differ- ences between Chinese and western development, and the historical inevitable trend of the fusion and intercommunication between east and west.
出处
《内蒙古大学艺术学院学报》
2013年第4期105-109,共5页
Journal of Art College of Inner Mongolia University
关键词
线性结构
中西差异
中西合璧
Linear structure
Sino - western difference
Sino - western combination