郭沫若绿色文论的生态诗学

On Eco-poetry of Green Literary Review of Guo Moruo

郭沫若是中国现代文论生态美学谱系的重要奠基人与开拓者。早期郭沫若形成了以启蒙为底色的生态自然观,强调大自然是个体观、文化观、社会观的终极根源。本着这样的文化理念与诗学理念,郭沫若确立了以“自然流露”为主导的文艺诗学观,以“文化—审美”为双重视域的生态批评观,这种自然、文化与审美的多向交织,大大扩展了他的批评视野与批评境界。凭借充满启蒙意向与生态意蕴的早期文论,郭沫若卓然跻身于当时一线批评家之列,并对后世文学批评影响深远。

Guo Moruo is an important founder and pioneer of ecological aesthetics pedigree in Chinese modern literary theory. Based on enlightenment, he formed an early ecological view of the nature, which laid more emphasis on the ultimate sources of individual view, cultural view and social view. In line with the cultural and poetic ideas, he established the literary poetic view with the dominance of ＂natural language＂ and the ecocriticism view with dual perspectives of culture and aesthetics, which greatly widened the vision and realm of criticism. With the view full of enlightenment and ecological connotation, Guo Moruo should be taken as a first-class critics at that time, and his theory also had a far-reachinz influence on later literary criticism.