摘要
李渔的《闲情偶寄》突破了传统美学以诗词曲赋为正统研究对象的重道轻器厚古薄今的美学观念,在日常生活的细致描绘中孕育着深刻的休闲美学思想。李渔休闲美学具有以人为本,尊重人的生命主体与存在价值;"寓乐于用",淡化文化活动的教化功能,追求平民化的休闲旨趣的特征,这对于我们反观当下生活审美化的现实,促进大众休闲文化的良性发展具有积极意义。
Li Yu's On Leisure depicts meticulously daily life and manifests his profound leisure aesthetics, which symbolizes a breakthrough from the traditional aesthetic concept which regards poem and prose as orthodox, and lays more emphasis on morality than artistry, and the past than the present. Li Yu's philosophy is characterized by human-basedness, which pays respect to life and being value, and advocates pursuit of humble leisure, stressing the practical instead of didactic signifi cance of cultural activities. Such is of great importance to refl ect current aestheticization of daily life, and promote sound development of mass leisure culture.
出处
《广州广播电视大学学报》
2013年第6期63-65,109-110,共3页
Journal of Guangzhou Open University
关键词
李渔
《闲情偶寄》
休闲美学
生活审美化
Li Yu
On Leisure
leisure aesthetics
aestheticization of daily life