第六代导演作品中的边缘性和地域性——以王超2006年编导的《江城夏日》①为例

The Marginality and Regionality of the Sixth-generation Directors' Movies--Examplified by Wang Chao's Luxury Car(2006)

包括《江城夏日》在内的第六代导演的作品,对社会边缘人群尤其是弱势群体的关注,既是对中国电影表现社会主体人群在传统上的恢复,也是对当代原生态文化的直接展现。他们对地方方言的引进和大量使用,以及由此呈现出的地域性和地域文化,以影像留存的方式,为中华文化的多元性提供了宝贵的可再生资源。

The sixth-generation directors pay more attention to the marginalized especially disadvantaged group,which restores the traditional representation of social groups in Chinese movies,and directly displays the original ecological culture.These movies adopt regional dialects,which,as the embodiment of reginality and regional culture,provide valuable renewable resources for the pluralism of Chinese culture in the form of image retention.