对比解读古代文学作品中的鸽子与其它鸟类形象

A Comparative Study of Pigeons and other Bird Images in Ancient Literary Works

中国古代文学史中从来不乏托物言志的作品,托物言志使得文章含蓄而饱含深意。鸟类作为人们生活中常见的动物形象,在作品中曾经多次出现,忠贞不移的鸳鸯和燕子、壮志凌云的大鹏、思乡的鸿雁是我们常常在文学作品中看到的角色。它们被作者赋予各种深刻内涵,借以表达作者的主观感受。鸽子并不是在诗篇中信手拈来,随处可见的形象,但它同样有着自己特有的文化意义。在许多描写佛寺的作品中,鸽子常常被作为固有的背景出现,与山、石、树、禅房等共同组成富有佛家文化内涵意义的画面。

Works expressing emotions by objects, which are made more implicit and connotative, are never rare in the history of ancient Chinese literature. As common animal image in daily life, birds appear frequently, such as the loyal mandarin duck and swallow, the rocs with soaring aspirations, the homesick swan goose, They are given a variety of profound meaning, in order to express the au- thor＇s subjective feelings, Pigeons are not handy or seen everywhere in poetry, hut they also have their own unique cultural meaning, In many works ahout Buddhist temple, the pigeons often appear as a natural background, make up a picture of rich Buddhist cultural connotation together with mountains, stones, trees, Buddhist temple, etc,