茵加尔登现象学原理视界下的钢琴伴奏艺术阐释

Artistic Interpretation of Piano Accompaniment from Perspective of Roman Ingarden Phenomenology

立足于现象学的研究方法,以钢琴伴奏对音乐作品的二度创作为研究对象,从"双主体"再创作的特殊行为出发,探讨伴奏中意识活动如何参与音乐作品的意向性构造,旨在体现一种将"自下而上"的研究方法引入元理论和用元理论赋予具体二度创作环节全新解读的双重尝试。

Based on the research methods of phenomenology, taking the recreation of piano accompaniment on musical works as object of study, starting from this special act of ＂double subject＂ re-creation, how the awareness activities participate in intentional construction of musical works in accompany is explored, in order to attempt a double attempt of introducing the ＂bottom-up＂ research method into metatheory and giving a new interpretation for the specific aspects of the second creation with metatheory.