摘要
朱湘和戴望舒二人在追求诗歌外在音乐美上找寻的路子是相同的。戴望舒在后期转而追求诗歌内在音乐美,这种前后诗艺观的变化正是戴望舒在朱湘探索基础上的发展。他们在诗歌探索中从各自的情感经验出发,将诗歌的音乐美推向极致,并形成互为补充、各具特色的艺术风格。
Zhu Xiang and Dai Wangshu chose the same path in pursuit of the musically external beauty of new poetry. Dai Wangshu later turned to the pursuit of the poetic musically inherent beauty. The change of Dai's artistic view of poetry from pursuing external beauty to doing internal one is nothing but development based on Zhu's efforts. Proceeding respectively from their own emotional experiences, they took musical beauty of the new poetry to an extreme in their poetic pursuits, forming the artistic tensions that both complement each other and have special features of their own.
出处
《沈阳农业大学学报(社会科学版)》
2013年第5期629-631,共3页
Journal of Shenyang Agricultural University(Social Sciences Edition)
基金
安徽省教育厅人文社会科学研究项目(2010sk110)
关键词
朱湘
《采莲曲》
戴望舒
《雨巷》
音乐美
ZHU Xiang
Lotus-seedpod Picking
, DAI Wangshu
The Rain-Lane
beauty of the music