摘要
救世理想是以儒家思想为主导的中国文化的重要组成,也是古代文人文化心理结构的重要组成,其对文人的影响不仅体现在日常政治、社会生活之中,更渗透在文艺创作与传播之中,同样对古代戏曲的创作与传播也产生了深远的影响:一是使"发愤补恨"成为戏曲创作及传播中的一个重要题旨;二是形成了戏曲传播中劝善惩恶,有益风化的文艺功用观;三是戏曲叙事模式中团圆主义的泛滥;四是促使文人剧作家自觉总结和反思历史,赋予中国古代戏曲以深厚的文化意蕴与悲剧色彩。
The dream of salvation plays a significant role in Chinese culture which is dominated by Confucianism as well as the psychological culture form of ancient literati, it affects not only on the daily politics and social life, but the creation and transmission of arts, what's more, and it also influ- ences the creation and transmission of ancient operas deeply from four respects: making the "releasing anger and adding hate" as one of the important themes; forming the idea of praising virtue and punishing vice; overflowing of reunion in its narrative way; promoting the playwrights to conclude and think the history so as to give Chinese allcient operas deeply cultural implication and a hue of tragedy.
出处
《新疆职业大学学报》
2013年第4期39-41,46,共4页
Journal of Xinjiang Vocational University
关键词
救世理想
古代戏曲
dream of salvation
ancient opera