摘要
贾平凹的《秦腔》堪称中国城市化进程的文学活标本。在主题内容上,它直面乡村在城市化进程中的现实裂变,聚焦于"农民与土地的分离"、"家族的衰落与伦理的变迁"、"民俗与传统文化的衰落",揭示和批判了乡土价值观念的失范;在艺术形式上,它直面21世纪乡土文学的叙事焦虑,采用日常生活叙事,重建文学与现实的意义关联。借助《秦腔》,我们可以发掘城市化与文学的紧密关系,清醒地认识到城市化进程中乡土文学创作的曙光和危机。
The novel Shaanxi Opera by Jia Pingwa can be regarded as a living specimen in China's urbanization process.In terms of the theme and content,it confronts the reality fission in the process of urbanization,focuses on the 'separation of farmers from their land','the decline of family and the vicissitude of ethics',and 'the decline of folk custom and traditional culture',and discloses and criticizes the anomie of local value.In terms of artistic form,it confronts the narrative anxiety of local literature in the new century,adopts daily life narration,and reconstructs the relevance between literature and reality.By reading the novel,we can find out the close relationship between urbanization and literature,and have a sober consciousness of the twilight and crisis in the creation of local literature.
出处
《长江师范学院学报》
2013年第6期35-41,139,共7页
Journal of Yangtze Normal University
关键词
《秦腔》
城市化
活标本
Shanxi Opera
urbanization
living specimen