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心灵与世界交融的镜像——论陈忠志的中国画

Blend Imagination of Spirit and World——On Chen Zhong-zhi's Chinese Painting
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摘要 长安画家陈忠志毕生致力于探索中国画的现代表现形式,他虽然吸收了外来因素,但并没有背离中国画的风神,作品仍然符合多数中国人的审美趣味,让人能够品鉴出中国画的味道。从他的绘画题材即世事风情、地域色彩、历史意识与现实感怀等方面;以及作品的艺术特色即构图和表现手法上,诗画结合等方面探讨其作品与传统中国画的关系,分析画家个人艺术特色。 Chen Zhong-zhi, the painter of Changan school, committed to explore traditional Chinese painting in the modem form of expression lifelong. Ahhough he absorbed the foreign factors, He did not deviate from the traditional expression of Chinese painting. His works still conform to the majority of Chinese aesthetic taste and a Chinese people can taste the traditional Chinese paint- ing. This article comes from his painting subjects, namely, amorous feelings of the world, local color, after yesterday, today and so on. I shall study his Works and the artistic features of the composition and technique of expression, the combination of poetry and painting, etc. And I shall discuss the relationship between his works and the traditional Chinese painting, analyze the painter personal artistic features.
作者 戴旋
出处 《盐城工学院学报(社会科学版)》 2013年第4期40-43,共4页 Journal of Yancheng Institute of Technology(Social Science Edition)
关键词 陈忠志 绘画题材 艺术特质 镜像 Chen Zhong-zhi painting subjects art characteristics imagination
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