摘要
天山电影制片厂出品的《鲜花》在当年略作喧嚣之后即被华语电影华彩重装所淹没,然而影片以华丽影像展开的基于生态良心的伦理价值思考,体现出难能可贵的生态智慧和生存策略。在当下生态美学逐渐成为艺术批评方法论的新宠之时,表达尊重自然与生命,渴望原初生命形式的回归,执着个体诗意存在的影片《鲜花》显现出清晰的生态文化立场和智慧选择。这既为华语电影提供了生态学视野的理性参照,也显示出新疆文化依托特定艺术形式,以实现文化优质性与独立性的自觉。
The movie“Flowers”produced by Tianshan Film Studio won much attention in its debut year , but was soon shadowed by other Chinese films .However ,in the film the thoughts of ethic value based on ecological conscience reflect ecological wisdom and survival strategy .Now the ecological aesthetics grad-ually become the latest methodology of art criticism and from the perspective of ecological culture the movie directly presents the respect of nature and life ,w hich hopes to return to the original form of life and persistent individual poetic existence .T his not only provides a rational perspective to Chinese film from the ecological view ,but also show s the self-consciousness of the culture in Xinjiang w hich depends on its ow n art forms to achieve quality and independence .
出处
《石河子大学学报(哲学社会科学版)》
2013年第6期79-84,共6页
Journal of Shihezi University(Philosophy and Social Sciences)
关键词
《鲜花》
生态美学
生态伦理
生态智慧
Flowers
ecological aesthetics
ecological ethics
ecological wisdom