摘要
在对相关南戏剧本梳理、分析的基础上,得出南戏负心汉戏大致有这样一条变迁主线:对负心汉的严厉抨击到对负心汉的刻意美化,然后从政权需要、作家改编、观众要求三方面阐释了变迁原因。
After some research and analyzing about several related southern operas, I find that the attitudes towards these Heartbreakers are changed from strict fustigation to apparent glorification. In the end of this article I interpreted the reason of these changes from three aspects: the regime needs, the writer adaptation and the audience preferences.
出处
《太原大学学报》
2013年第4期44-45,共2页
Journal of Taiyuan University
关键词
南戏
负心汉戏
变迁
southern opera, heartbreaker opera, change