摘要
帕洛夫的访谈集《诗学新解:访谈与散论》表明她既是一位有敏锐眼光的、具有超前意识的诗歌批评家,也是一位深受传统诗学思想浸润的诗人。在诗歌的声音和价值的关系上,她秉承庞德的诗学观,主张韵律和意义的"简约"和"创新"原则;同时,她也从现代科学的角度出发,指出当代美国诗歌表演化和数字流媒体化的倾向。帕洛夫从可读性的角度对诗歌做出了新解:"诗乃是不可被‘读’的书写形式,它只能被再读。"
Marjorie Perloff＇s Poetics in a New Key： Interviews and Essays is a newly published book that embodies her comprehensive view of poetry. This book shows Perloff as poet and critic with superior foresight in poetic criticism in that she points out the tendency of digitalization of writing poetry in the age of streaming media. She is, at the same time, a traditional and classic critic and poet in that she sticks to the ＂economy＂ and the ＂staying new＂ proposal of Ezra Pound and others. Perloff gives a new interpretation of poetry from the perspective of ＂re-readability＂. According to her, poetry is that form of writing which cannot be ＂read＂-- it can only be reread.
出处
《外国文学研究》
CSSCI
北大核心
2013年第6期138-141,共4页
Foreign Literature Studies
基金
宁波大学王宽成幸福基金资助
