“元四家”山水画的隐逸特征

Seclusive characteristics of landscape paintings by the four renowned artists in the Yuan Dynasty

元四家在长期的绘画实践中,融合笔墨的写意精神,通过对物象描绘表达画家的主观心绪,忽略物象的形似而重神似,逐渐形成了尚逸、尚意的山水画风。文人画家主张"逸笔草草,不求形似",追求"脱俗"和"自娱"的美学思想体现了文人画家之"隐"与山水画之"逸"的结合。

The four renowned artists in the Yuan Dynasty made a spiritual fusion of hands and ink in the long-term practice of painting. They expressed the painters＇ subjective state of mind by depicting the images with emphasis on spiritual similarities and ignorance of the objective shapes. Such practice of painting gradually developed into a style of landscaoe paintings worshiping confort and spirit. Literati painters advocated ＂leisure pen in painting, not for the shape＂ with the aesthetic pursuit of ＂Free from vulgarity＂ and ＂self entertainment＂, which reflects the con- bination of the literati painters＇ ＂hidden＂ with the landscape painters＇ ＂ease＂.