摘要
黄梅戏故事作为一种有意味的文本,在"叙述时间"上存在着独特性,这表现在时间标注、倒叙和预叙的运用、用缩写代替省略等三个方面,它们充分揭示出黄梅戏以故事时间为主导的线性结构特征。
Stories in Hnangmei opera, as meaningful texts, are unique in their narrative time, which is reflected in three as- pects： time marking, employment of flashback and flaahforwant and using initial forms to replace ellipses. They reveal the linear structure of Huangmei stories dominated by the story time.
出处
《安庆师范学院学报（社会科学版）》
2013年第6期89-93,共5页
Journal of Anqing Teachers College(Social Science Edition)
基金
安徽省教育厅人文社会科学项目"黄梅戏的魅力研究-黄梅戏的‘原型’分析和伦理超越诉求"(2009sk458)
关键词
故事时间
时间标注
倒叙和预叙
缩写
story time
time marking
flashback and flashforward
initial forms
