摘要
以普朗克15首即兴曲中7-10首为研究对象,通过演奏实践,从创作背景、音乐结构、演奏分析三个方面进行论述,以期为该套作品的演奏者提供参考。
The paper, taking the 7th-10th of 15 impromptus composed by Francis Poulenc as research objects, discusses their creation backgrounds, music structures and performances through performing practice in order to provide references for those performing this set of works.
出处
《黄山学院学报》
2013年第6期117-120,共4页
Journal of Huangshan University
关键词
普朗克
即兴曲
演奏
Poulenc
impromptu
performing
