论经典的“两重性”困境——兼议当下中国的戏剧生态

On Canons' Dilemma of“Duality”——Also on CurrentChinese Dramatic Ecology

经典的生产与时代休戚相关。经典成为一种被质疑的对象,源于人类对事物的思辨、进化和怀疑本能。全球化时代,社会结构的转型也带动知识、观念、认知、情感结构的转型,它更造成一个变化的表象:传统时代被奉为圭臬的"经典"在现代性和后现代性语境错位的渲染下有了两重性,其文化基础和逻辑链断裂,继而产生命名、话语、语境、生成困境。在戏剧生态上,经典的认同危机和话语危机还表现在经典的命名、价值透支、难以统一话语等方面。通过审视戏剧经典的空间表现以及体制单一模式下的戏剧经典生产等问题,本文得出一个结论:戏剧经典的生产和接受(传播)认同受制于戏剧经典的观念认同、戏剧经典的生产逻辑和机制,以及戏剧经典的语境、话语等诸多条件的限制。鉴于此,对经典的修正也将是一项综合工程。

Production of canons is highly correlated with the age. They become the object of question, o- riginated from human instincts of speculation, evolution and suspect. In the age of globalization, the tran- sition of social structures brings along the transformation of knowledge, ideas, perceptions and emotions and creates a representation of change： canons, which were looked up to as the standard in traditional times, have a dual character in vicarious contexts of modernity and post - medernity. In dramatic ecolo- gy, the identity and discourse crisis of canons is manifested in such aspects as the naming of canons,overdraft of values and difficulty in unifying utterances. By examining the space expression of drama canons and issue of canon production under a single - mode system, this paper draws conclusions as fol- lows： the production, acceptance and recognition of drama canons are enslaved to various conditions in- cluding ideological acknowledgement, productive logic and mechanism, contexts and discourses. Given this, the amendment of canons is also going to be a comprehensive project.