旧市民电影中武侠片的情色、打斗与噱头、滑稽——以1929年华剧影片公司出品的《女侠白玫瑰》为例

Eroticism, Fights, Stunts and Facetiosity of Martial Arts Films among Old Civic Movies——A Case Study of The Vallant Girl Nicknamed White in 1929

作为旧市民电影的重要组成部分,20世纪20年代末期兴起的武侠片从主题思想、题材选择到艺术范式、表现形式和经典元素的模式化使用,无不是旧市民电影特征的内在和外在体现。旧市民电影中的伦理纲常和传统文化既是武侠片的核心所在,也是与情色、打斗、闹剧、噱头、滑稽等要素一样不可或缺的组成。实际上,当时的任何一部武侠片既是一个伦理说教的武打版,也是一个影戏杂烩,电影《女侠白玫瑰》就是如此。

Martial arts films are an important part of old civic movies. They rise in late 1920s, and re- flect the features of old civic movies internally and externally in main ideas, selection of subject matters, artistic and presentation patterns and modeled use of classic factors. Ethics and traditional culture of old civic movies are not only the core of martial art films but also an indispensable part like other elements in- cluding eroticism, fights, farces, stunts and facetiosity. In fact, any martial art film at the time is a mar- tial version of moralization and mix of films. The Vallant Girl Nicknamed White is the case.