哈里哈里哈里观音图像初探

An Iconographical Study of Harihariharivāhanodbhavalokesvara(Hariharihari Guanyin) Image

故宫博物院现藏哈里哈里哈里观音唐卡是六世班禅进献给乾隆皇帝的礼物,制作于18世纪的西藏。这种奇特的观音像,在西藏较为罕见,在尼泊尔却有一些作品存世。在北京的藏传佛教中,哈里哈里哈里观音以一种新的形式出现了,图像从一尊使人充满陌生感的神像成为了外观上更具"亲和力"的观音。本篇文章着重探讨了哈里哈里哈里观音在不同地域的特征、图像演变及其相关问题。

The set of Harihariharivāhanodbhavalokesvara(Hariharihari Guanyin) Tangka in the collection of the Palace Museum was presented as a gift to Emperor Qianlong by Panchen Lama VI. It was made in Tibet in the 16th century. Such unique images are rarely found in Tibet, some remain in Nepal. Of the Tibetan Buddhist iconography in Beijing, The Hariharihari Guanyin images look more easygoing than distant with the new different appearance. Some issues on the development of Hariharihari Guanyin's feature, image and other aspects are discussed in this thesis.