摘要
《论语》各章虽无一贯系统,但原书对人物形象的刻画,一方面客观表现为四个相互联结的维度,亦即众星拱月——孔子神貌、各有千秋——孔门弟子、烘云托月——隐者风尚,以及旁见侧出——诸色人等;另一方面集中呈现出两种相互映照的类型,亦即正面的推崇与反面的批判。由此,原书人物在总体上一以贯之、自成体系,最终构成了"四维一体"的特殊机制。正是缘于人物群体的系统性和真实感,客观上促进了原书文学价值的生成。
Though there is no consistent system in the organization of the chapters of ＂the analects＂, it depicted characters, on the one hand, as four interconnected dimensions： highlighted for Confucius, characterized for students, Foiled for hermits, sided for other people, and on the other hand, it displayed two types of mutual reflections： the positive and negative criticism. So characters in the book constituted an overall system. The systematic and realistic charateristics promoted the literature value of the book.
出处
《理论与现代化》
CSSCI
2014年第1期125-128,共4页
Theory and Modernization
关键词
《论语》
人物系统
建构机制
＂the Analects＂
Characters System
Constructing Mechanism
