摘要
《歌谣》周刊在观念意识和文学实践方面对"五四"时期的方言文学具有重要意义。从国语建设方面来看,方言文学可以为其提供重要的语言资源;从文学本身来看,方言文学对新文学建设具有重要的借鉴意义,尤其是对新诗影响更大。以刘半农为代表的"五四"方言诗歌创作从诗体、内容方面为新诗建设提供了有益的范本,同时也面临简单浅陋的问题。总体而言,在当时宏大的文化构建历史语境面前,更多强调了国语、文化、民俗多重文化因子的参与和合力,从"国语"建设、思想内容角度强调方言文学,而较少为"文学"怎样利用"方言"这一文学命题提供更多阐释空间。
Ballad Weekly was of great significance for dialect literature in May 4th period both in con- ception and practice. From aspect of construction of national language, dialect literature can provide language resources for it. From the literature itself, dialect was important to construct new literature especially poetry. As a representative of dialect poetry Liu Bannong's works provided an useful model in style and content for construction of new poems, but also it faced simple-meaning problem. Over- all, in front of the historical cultural context, they located emphasis more on multiple culture factors as language, culture, folk custom, and emphasized dialect literature from construction of national lan- guage and anti--feudalism contents, which led to less attention to how to use dialect in literature.
出处
《江苏科技大学学报(社会科学版)》
2013年第4期57-60,共4页
Journal of Jiangsu University of Science and Technology(Social Science Edition)
基金
教育部人文社科项目"文学语言变革与中国文学文体的现代转型"阶段性成果(13YJC751054)
关键词
《歌谣》周刊
“五四”时期
方言文学
国语
新诗
Ballad Weekly
in May 4th period
dialect literature
national language
new poem