摘要
沈从文的湘西小说用浪漫主义来概括失之清浅偏颇,这一点已为许多学者指出。那么重新审视沈从文在不同的创作时期对湘西世界多样化的表现方式是有必要的。从较早的《萧萧》等作品到最后的《赤魇》集,沈从文通过素材的选择,融合,反讽、多种声音复调等叙事修辞,体现出自己对现实的观照维度,也为我们展示了一个独特且日渐具有现实主义色彩的湘西世界。
Many scholars have pointed out that it is partial and biased to summarize Shen Congwen' s novels on the west of Hunan Province as romanticism, so reviewing Shen Congwen's diversified expressions in different periods is necessary. From the earlier works Xiao Xiao to the collection of Chi Yan, Shen Congwen reflected his opinion on the dimension of reality through different narrative modes and rhetoric such as material selection, fusion, irony, and a variety of voice polyphony. He also demonstrated the west of Hunan Province, which was distinctive and more and more realistic.
出处
《漳州师范学院学报(哲学社会科学版)》
2013年第4期64-70,共7页
Journal of Zhangzhou Teachers College:Philosophy and Social Sciences
关键词
湘西小说
虚构
现实主义
novels on the west of Hunan Province
fiction
realism