摘要
粉彩的产生具有一定的偶然性,是在康熙五彩的基础上,受珐琅彩的工艺影响而来。而粉彩花鸟则融五彩之风格、珐琅彩之工艺、清宫廷花鸟画样于一体。粉彩装饰风格与宫廷花鸟画究竟存在哪些关联,这种关联体现在哪些方面,哪些因素导致这种关联?本文针对这些问题展开分析研究。
The production of famille rose is of some contingency, which is basic on the five colours of Kangxi, and from the craft of the colour enamels. While the famille rose flower and bird mixed together with colorful style, the process, the Qing court enamel painting of flowers and birds. Whether there is some connection between the famille rose decoration style and court flower and bird painting, this relationship is reflected in what areas, what factors lead to this relationship? This paper spreads out analytical research on these problems.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2014年第1期77-79,共3页
China Ceramics
关键词
粉彩
宫廷
花鸟
装饰
The Famille Rose
Palace
Flower-and-Bird
Decoration