摘要
《湘行书简》可谓《湘行散记》的创作"底本",二者在内容上具有衍生关系,却分别有着"即时记事"和"延时创作"的不同写作特征。《散记》中呈现了临对不定性命运"固执"担当、求取生存的边地水手形象,却与最初"书简"的陈说颇具差异,体现出能动的建构性。《湘行书简》记存了沈从文还乡途中对湘西生命由怜悯到敬、爱的情感更变过程,《散记》中的边地水手则是这一过程中逐渐孕生的生命观影响下的文本"构象"。"构象"过程体现出沈从文希望以原乡生命力补济现代文明的文明本位与现实关切。他的生命观可以被视作一个以"命运"、"意志"为边际二维的复调、动态的"连续统"。
Xiangxing Shujian can be seen as the source of material for creation of Xiangxing Sanji,the contents of which are interrelated but endowed with different writing characteristics of'simultaneous writing'and'lagged writing'.The sailor image in the essays of Sanjiis one who'stubbornly'put up with the uncertain fate and strived for a living in a remote area,which is different from the original version in Shujian and shows the dynamic construction feature.Shujian records the emotional change process of SHEN from pity to awe and love towards life in Xiangxi during his trip to hometown.The sailor image in Sanji is the discourse'image construction'under the influence of his view of life gradually produced in this process.The'image construction'process reveals SHEN's hope to implement modern civilization with rural vitality and his concern about real life.SHEN Congwen's view of life can be depicted as a polyphonic and dynamic'continuum'related with'destiny'and'will'.
出处
《常州大学学报（社会科学版）》
2014年第1期84-90,共7页
Journal of Changzhou University:Social Science Edition
