摘要
拉什著名的风险文化概念是其美学维度自反性现代化自我建构的终极产物,与贝克的风险社会有根本的区别。从美学维度自反性现代化与风险文化之间的因果关系出发,根据美学维度自反性现代化主体、思维模式、传播媒介等方面在风险境遇中的演化趋势,对风险文化的生成原因进行剖析及反思。
The famous concept of risk culture is the ultimate construction result of Lashes reflexive modernization in aesthetic dimension, which has a fundamental difference with Beck＇s risk society. The paper analyzes and reflects the causes of the formation of risk culture from casual relationships between reflexive modernization of aesthetic dimension and the risk culture, which is based on the evolution trends of the subject of the reflexive modernization of aesthetic dimension, thinking mode, media in risk situations.
出处
《福建行政学院学报》
2013年第6期50-56,共7页
Journal of Fujian Administration Institute
基金
国家社会科学基金项目(12ASH001)
关键词
自反性现代化
美学自反
风险文化
拉什
Reflexive modernization
Aesthetic reflexivity
Risk culture
Lash
