摘要
宫崎骏的动画电影汲取了日本传统文化中森林信仰和物哀美学思想的诸多元素,在承继传统的基础上,融入了多种现代性思考,实现了对本土文化艺术表现的当代变奏。这种变奏是基于传统基础的自然生发,弄清这点,有利于避免对作品创作的过度解读。宫崎骏的众多动画电影,《幽灵公主》、《千与千寻》、《龙猫》等,从主题内容到叙事方式都很好的诠释了这一艺术特点。
Hayao Miyazakig animations have inherited many traditional Japanese cultural elements, such as, the worship of forest and the sentimental aesthetics and brought about innovations to contemporary Japanese culture and arts with va- rious modem reflections as his animations of Princess Mononoke, Spirited Away, and My Neighbor Totoro etc. , demon- strate in subject matters and narratives. It will avoid over - interpreting Miyazakig works by making it clear that these in- novations are a spontaneous growth of Japanese cultural tradition.
出处
《贵州大学学报(艺术版)》
2013年第4期48-51,共4页
Journal of Guizhou University Art Edition
基金
2012年江苏省教育厅高校哲学社会科学研究项目[项目编号:2012SJD760042]阶段性成果
2013年东南大学高校基本科研业务费专项资金项目阶段性成果
关键词
宫崎骏
动画
传统
变奏
Hayao Miyazaki
animation
tradition
innovation