摘要
在探讨当代摄影的的时候,加拿大摄影师——杰夫·沃尔是一位不可以逾越的大师级人物。在"使用摄影解决问题"这一课题领域,杰夫·沃尔绝对是值得研究的典范。除了其作品呈现国际情景主义的社会性、类似电影拍摄的工作方式、灯箱的展示等,还有极其重要的一点就是杰夫·沃尔的摄影作品中存在的绘画印记。这种视觉体验是摄影师想要表达的:通过对于经典的再次建构完成"模仿作用于艺术"的理解和对于"什么是摄影的本质"的思考。
Canadian photographer Jeff Wall is an insurmountable master when discussing contemporary photography who abso- lutely is a model worthy of study in "solving problems with photography". Another important feature of Wall ' s works is the trace of painting besides presenting international themes with sociality, adopting a working mode like film shooting and displa- ying photographic lamps. These visual experiences are what photographers want to express, that is, to understand "the effect of imitation on arts" bv reconstructin~ the classics and reflecting "what is the essence of nhotn^nnhv. "
出处
《贵州大学学报(艺术版)》
2013年第4期66-70,78,共6页
Journal of Guizhou University Art Edition
关键词
视觉体验
绘画模仿
杰夫·沃尔
: visual experience
imitation of painting
Jeff Wall