摘要
《蚀》三部曲一举成就了茅盾的小说家之名,且产生了广泛而长久的文学影响。从创作心理上看,茅盾通过《蚀》三部曲营造了一面"镜子",追求主体的统一,想象更加成熟的理想自我。通过对照"时代女性"形象,茅盾终于摆脱了"迷狂"状态,走出了心理上的低谷,这也昭示着"《子夜》时代"的到来。
Mao Dun' novel trilogy Eclipse, by which he came to fame, has made a big and long literature influence. From the view of creative psychology, the novel trilogy Eclipse was a mirror made by Mao Dun to image a more unified and ideal selfhood. By means of contrasting with the mirror image "Modern Women", Man Dun got rid of the state of wildering, walked out the mentally low ebb, and it betokened that the Midnight Time was coming.
出处
《菏泽学院学报》
2013年第6期66-68,共3页
Journal of Heze University
关键词
茅盾
《蚀》三部曲
创作心理
时代女性
镜像
Mao Dun
trilogy Eclipse
creative psychology
modern women
mirror image