“作为修正的写作”——里奇女性主义诗歌的政治与美学

“Writing as Re-Vision”:Politics and Aesthetics in Adrienne Rich's Feminist Poetry

里奇提出了"作为修正的写作"的诗歌创作理念,并在其女性主义诗歌创作中对此进行了实践,体现了政治符码和美学观念的融合。论文从两个方面予以论证:第一,里奇在其女性主义诗歌中进行自白叙说,运用诗歌中的女性面具重构女性的个人、社会和文化身份;第二,里奇注重语言自觉,使用"共同语言"解构语言中的权力体系,以女性独有的话语力量追求审美与诗性。通过对里奇的诗歌创作及其理念的研究,从整体上把握里奇作为女性主义者的政治思想和美学追求,有助于将我国的里奇研究推向深入。

By presenting'writing as re-vision',Rich integrates her political idea with her aesthetic quest,and practices it in her feminist poetry.The argument is specifically elaborated in two aspects:first,by analyzing Rich's use of female persona's confessional narration,this paper argues that Rich reconstructs women's individual,social and cultural identities.Second,it probes Rich's consciousness of language,discussing how she proposes the use of'common language'to deconstruct the power structure of patriarchal language.The paper arrives at the conclusion that Rich successfully enodifies her political commitment upon her poetic aesthetics,and with'writing as re-vision',constructs the poetics of women.This finding may facilitate the domestic scholarship on Adrienne Rich which has just been initiated.