二胡协奏曲《三峡叙事》的内容与形式--兼及刘健“声学媒体音乐作品”中某些创作观念与技术手段

On the Content and Form of Erhu Concerto Ballade of Three Gorges

文章以武汉音乐学院已故著名作曲家刘健的遗作《三峡叙事》为对象,以创作观念和技术手段入手,从"形象分析"、"曲式分析"和"旋律分析"等角度进行研究,并总结出关于作品"内容构思的人文性"、"叙事方式的概括性"、"结构组织的交缘性"和"旋法技术的风格性"等方面的特点。文章对刘健的创作观念、审美情趣和音乐语言及其成因作了一定总结,对于研究刘健的"声学媒体音乐"有一定现实意义。

The article analyzed the Ballade of Three Gorges, the posthumous work by outstanding com- poser Liu Jian from Wuhan Conservatory of Music. From the point of creative conception and techniques, it re- searched the work with the ＂image analysis＂, ＂form analysis＂ and ＂melody analysis＂, and concluded the fea- tures of this work such as ＂the humanity of content design＂, ＂the generality of narrative way＂, ＂the cross-edge of structural organization＂ and ＂stylistic of melody technique＂. The article made a certain summarize to Liu Jian＇s creative ideas, aesthetic taste, and music language as well as its cause, it was a certain practical signifi- cance to research Liu Jian＇s ＂acoustic media music＂.