《俳》的演奏技巧与演奏意境

On the Technique and Artistic Conception of Playing Haiku

俳句(Haiku)是日本的一种古典短诗,以三句十七音为一首,首句五音,次句七音,末句五音。靳竞将这些特征运用到《俳》这首长笛与大提琴重奏曲之中,模仿尺八与三味弦的两种乐器音色元素,并抛开传统乐器的演奏观念,充分地诠释乐曲的主题与中心寓意。文章的作者从该作品的现代派作品的风格及演奏技巧入手,诠释《俳》的演奏风格与现代演奏技法。

Haiku is a very short form of Japanese poetry, and traditional one consist of 17 on （also known as morae）, in three phrases of 5, 7 and 5 on respectively. The composer Jin Jing used those features in her flute and cello duet work Haiku, to imitate the two instruments timbre, shakuhaehi and shamisen, and she a- bandoned the performance idea of traditional instrument, fully interpretation of the theme and main implied meaning of the work. From the contemporary style of the work and playing technique, the article expl^ined Haiku with its playing style and modern performance technique.