摘要
统一新罗、高丽、朝鲜时期的"长安"汉诗多达3千余首,本文通过研究韩国汉诗中的"长安",论证了其作为比较文学形象学研究对象的可行性,并提出了东亚文明圈范围内"长安形象"的概念,即,在东亚文明圈范围内,以汉唐长安城为母体,衍生出的与长安等特定城市(如高丽开京、朝鲜汉阳)相关的景观、生活、风俗等一系列的文学形象,当中包含着深沉的人文情感。通过比较中国唐诗、韩国汉诗中的"长安形象",得出韩国汉诗长安形象具有受容性与偏离性的特征。同时,长安形象还反映了中韩两国历史上的文化关系。新罗时期长安形象反映了唐对新罗的政治、文化优势;高丽时期长安含义发生改变的原因与北宋灭亡、高丽文化发展有很大关系;朝鲜时期长安汉诗数量剧增,缘于受到了明代复古文学批评风潮的影响。
The KoreanChinese poems of Unified Silla, Goryeo and Joseon related to Chang'an reached 3,000. Through the study of Chang'an in the KoreanChinese poetry, it is feasible to research the Chang'an image from the perspective of imagology. Therefore, the author proposes the concept of Chang'an image in the East Asian civilization circle. From the source of Chang'an image, the capital of Han and Tang Dynasty, some other countries' cities accepted and recreated a series of landscape, life style, customs and other literary im ages full of deep humanity emotion. The comparison between the Chang'an image of Tang Dynasty Poetry and KoreanChinese Poetry shows that the Chang'an image of Korean Chi nese Poetry reflects receptivity and deviation. Meanwhile, the Chang'an image also reflects the cultural relationship between China and Korea in history.
出处
《中国比较文学》
CSSCI
北大核心
2014年第1期143-158,共16页
Comparative Literature in China
基金
陕西省教育厅科研计划项目(项目编号:12JK0270)资助
关键词
形象学
长安形象
新罗汉诗
高丽汉诗
朝鲜汉诗
Imagology
Chang'an image
Silla Korean-Chinese poems
Goryeo Korean-Chinese poems
Joseon Korean-Chinese poems