摘要
本研究属于文化史研究,研究对象是文人心目中的屈原形象,就是后代人寄托于屈原的伦理、情感、审美观念的总体。因此本文主要考察注文,将注文当做注者的著作、注者思想的载体来读解。楚辞研究中往往批判注者的"牵强附会",然而这些正是本文所珍视的研究对象。为考察漫长文化史上的变迁中的传承,而且是意识或形象这种难以测量的抽象对象,本研究尝试采取以汉文化的最重要载体"汉字"为切入点,用电子文献检索有关字群这一方式。
This is a study of cultural history. The object of the study is the image of Qu Yuan in the scholar's mind, which is looked as an overall that the future generations come the ethical, emotional and aesthetic ideas rest on Qu Yuan. Therefore, this paper mainly studies the explanatory notes, which is read as the works of the noter and the carrier of the noter's thought. However, in the study of Chu Ci, the explanatory notes are usually criticized. The study tries to take 'Chinese character', the most important carrier of Chinese culture, as the breakthrough point, to find the related clusters by the way of electronic literature.
出处
《淮阴师范学院学报(哲学社会科学版)》
2013年第6期769-776,840,共8页
Journal of Huaiyin Teachers College(Social Sciences Edition)