基于“创伤”理论下的摄影与绘画探究

Exploration on Photography and Painting Based on the "Trauma" Theory

摄影艺术自出现以来,对绘画产生了很大的影响,给传统画家带来了集体的"创伤"。本文旨在"创伤"理论下对摄影与绘画的关系进行探究:一方面,摄影技术的日益发展,导致传统绘画的"丧失";另一方面,绘画遭遇创伤后,开始自我"疗救",使艺术家们不是放弃绘画,而是提供了一种条件和机会,使得绘画形式从传统到现代主义再到表现主义以至于到后现代,致使绘画脱离现实,走向一种不受技术干扰的形式。

Photography art has a great influence on painting since its appearance and it brings collective “trauma” to traditional painters. This paper tries to make an exploration on the relationship between photography and painting based on＂trauma＂theory. On the one hand, the development of photography art leads to the loss of traditional painting, on the other hand, when painting suffers from“trauma”, it begins self“healing”, which provides artists conditions and chances to make the painting form from traditionalism to modernism, expressionism and even post-modernism and makes painting free from interference of technologies and detaches from reality.