摘要
龚自珍通过"破"面和"立"面较为全面地建构起了他的"今文学"理论体系,在整体上形成了独具特色的批判立场。龚自珍的"尊情"的诗学观念与诗学实践实际上传承了其"今文学"的价值旨趣,将诗学的主体维度(人格、情感、创造等)放在批判的场域来展现,体现出诗学自身厚重的学术底蕴和较强的批判意识。然而,龚自珍以"尊情"为核心的批判诗学在保持对既有诗学观念批判与革新的同时,又在一种幻灭感中走向了对个体生命存在的发现和张扬,并试图以一种异端的方式表征个体生命的"在场",从而使其诗学充满某种僭越行为与二律背反及现代意义。
By both "breaking- up" and "buildlng", Gong Zizhen constructed "today's literature" theory system with special critism. His "respecting feelings" poetics inhcritod his "today's literature". His poetic criticism included personali.ty,feelings and creation. The core of his poectics is "respecting feelings", which both inherited and reformed the tradition,having the modern significance.
出处
《湖北师范学院学报(哲学社会科学版)》
2014年第1期18-22,共5页
Journal of Hubei Normal University(Philosophy and Social Science)
关键词
“今文学”
龚自珍
尊情
诗学观念
现代意义
" today's literature"
Gong Zizhen
respecting feelings poetics
modern significance